February 2023
The guide was designed systematically, by assigning unique icongraphy to each exhibition. The visual elements were generated by code manipulations on exisiting materials i.e the ABC Maxi typeface was altered/glitched which shaped the iconography of the guide, the backgrounds are exports from CSS Paint, later refined and developed in Adobe software.
Editorial, Publication Design, Creative Coding
January 2023
Who owns the internet? Who runs the massive infrastructure that bestows our conveniences?
This website is the result of a comprehensive research around the history and the formation of clouds, data center and internet landlords. Designed and developed in collaboration with Aaryan Pashine, this website documents the research materials and the notes in addition to a narrative that unfolds throughout the scroll to unravel the outcomes.
Web, Creative Coding
2022
Theodoros "Theo" Angelopoulos was a Greek filmmaker, screenwriter and film producer. He dominated the Greek art film industry from 1975 onwards. His cinematic vision is often described as "sweeping" and "hypnotic."
Editorial, Publication Design
April 2022
This book features a conversation with oneself in order to investigate the value of graphic design as a first year design student, as an amateur. The dialogue is laid out on the left side of each spread while resources, references and tools occupy the rest of the spread, interacting and surrounding the body of text.
The conversation pursues a critical introspection and reflection of the parameters and precedents that ostensibly define my design process. The goals in the end is not to solidify my opinions about design, art and language but rather to practice asking questions, constantly and relentless.
Editorial, Publication Design
April 2022
A series of posters designed in order to illuminate the arguments made in Tools | part 1. Challenging myself to manifest thought into form— a communicative one— I dwelled on whether I can control the fusion of language and alphabets in tandem with maintaining the experimental spirit. Not conforming to trends, norms and so called rules. This lead to continuous inspection in whether visual elements/motif can be translated into tools? can you subordinate the complexity of the tools and simply call a graphical element a fully functional tool?
Editorial, Publication Design